I have such mixed feeling when it comes to remakes. On the one hand, I think that when done correctly, a remake can do justice to, and in some cases, such as The Thing and The Fly, improve upon the original. But, on the other hand, HOLLYWOOD I FUCKING HATE YOU AND I HOPE YOU CHOKE ON A BONE AND FUCKING DIE. Since 2000 alone, Big-Budget Hollywood has seen fit to remake the following movies: The Texas Chainsaw Massacre, The Hills Have Eyes, Dawn Of The Dead, House of Wax, When a Stranger Calls, The Fog, The Amityville Horror, Wicker Man, Prom Night, April Fool's Day, Halloween, Hairspray, My Bloody Valentine, The Ring, The Grudge, The Invasion, Black Christmas & Day of the Dead. In my opinion these range from the good (Dawn of the Dead, The Ring, Halloween), to the mediocre but entertaining (House of Wax, The Grudge), to the 'I am gonna find who did this and slit their fucking throats' (The Texas Chainsaw Massacre, The Hills Have Eyes, April Fool's Day, Black Christmas, Hairspray). In most cases it just seems that they stripped away the grit and ugliness that made these movie what they were and replaced it with pretty cinematography and prettier people. Which brings us to this article...

Immediately after the new Friday the 13th opened, Ben sent out a challenge to any one of our writers to match wits with him in a little game we like to call 'Point/Counterpoint'. The subject: 13 Reasons Why Friday the 13th 2009 Sucks Balls. Sadly, no one wanted to defend the movie's honor because no one really thought it was that great of a movie. However, in the name of open discussion and because Americans think they're so damn smart, Dustin stepped up to the plate. So...

In the pro corner, fighting out of the Liberal capital of Middle America, Dustin 'I used to work at CD Tradepost so I know more about films than you do' Hall. And, In the con corner, standing with a slight hunch and hailing from parts unknown, Ben 'I'm a novelist, really I am' Bussey. Here are the strangely ambivalent results:

1. MARCUS NISPEL SEEMS TO THINK HE'S DAVID FINCHER.

Marcus Nispel seems to think he’s David Fincher. He quite clearly isn’t. His Texas Chainsaw Massacre remake already proved that, and he appears to have learned absolutely nothing. However much he may try to make things look gritty and dark, it just comes off as pretentious and overdone; and however brooding and serious an atmosphere he may endeavour to create, it just comes off looking silly. And, above all, that’s entirely the wrong approach for Friday the 13th, where the emphasis should be first and foremost on being entertaining.   Personally, I didn’t even try to look into the atmospheric qualities of this new Friday. The previous movies never attempted to dress the set in any way. The natural eeriness of a forest at night was all the background that Jason needed. There were never any lights or palette-swapping to speak of, so I don’t think Nispel’s visuals here were off the mark at all. Everything looked crisp and sharp, which is all I need in order to see how Jason is killing the shit out of people. The thing that is most successful about the visuals in the film is that they at no time become distracting. It’s a simple story, with simple visual demands, and I feel that they were adequately achieved in this case.


2. JASON AIN'T JIGSAW.

Jason ain’t Jigsaw. The way he kills in this movie just isn’t the way Jason operates. Bear-trapping, burning alive, abduction and incarceration; none of this stuff fits the character. Now, unlike some fanboys, I don’t mind that he runs – after all, he’s pretty quick on his feet in parts 2 through 4. But no matter how colourful his methods of dispatch have been over the years, Jason has never been into torture. He’s all about punishing the sinful, but not drawing out their deaths to lingering sufferance. This comes back to Nispel’s delusions of grittiness, and how inappropriate it is here. Friday the 13th is about using death as a gag; deaths that feel like a punchline, and inspire laughter. Fun, silly, ridiculous death. Admittedly, there’s at least one such kill here that fits the bill – machete through the dock – but by and large the kills feel like they’re trying to appease the Saw generation, rather than recapturing the old school slasher vibe as they should.


  There are two instances of Jason demonstrating more cerebral process than “Axe to skull.” in this film, and they are worth addressing. First of all, Jason has a girl locked up in his hidey-hole for about a month during this film. I guess he feeds this girl? Changes her bed pan? This seems a little out of character for our behemoth butcher, but in retrospect, it does make some sense. At this point, Jason is not a zombie, he’s still a big retarded guy who is following out his mother’s final instructions. While human, it seems to make sense that Jason would be able to think up slightly more involved death traps, and in this case, become interested in a girl that resembled his mother. This is a new, perhaps uncomfortable turn for the character who has spent the last 25 years hacking people with machetes, but considering all of those kills were done out of love of his mother, it makes some sense. Its simply an unexplored aspect of the psyche of pre-zombie Jason. Post zombie Jason would have just killed the bitch.

Now, as for the ‘sleeping bag burning’ kill, which I’m certain is Ben’s other gripe. I wasn’t bothered by this, as it was the only kill in the film which had the old brutality of the first 4 Friday films. Moreover, it made some sense as Jason needed a way to draw the other kids back to the camp area so he could chop them all, and nothing does that like the screams and lights of a burning friend.

Some may still argue that Jason doesn’t have the mental capacity to set up any sort of trap like this, but believe me, there are over 160 kills in the Friday series to date, and its not outside of the realm of possibility. The fact alone that Jason can use a bow and arrow with Olympian accuracy points to a dextrous, and refined aspect of his mind, and Jason’s clever planting of dead bodies around the camp to scare other victims his direction shows a subtle knowledge of psychology. There are times where Jason has shown a surprising sophistication. Never has he just left bodies strewn about.



3. JARED PADELECKI. HE’S CRAP.

Jared Padelecki. He’s crap. We’re really supposed to believe this immaculately groomed Gap model is a rugged hero capable of taking on Jason barehanded? I don’t bloody think so. And his whole approach to the role is every bit as flawed as Nispel’s approach to direction: he takes it all way, way too seriously, and goes to pains to let us know how serious he is, etching that seriousness all over his vacant Ken doll face. Okay, so he’s quite tall and buff and probably even prettier than most of the girls in the movie, and these kind of films aren’t exactly renowned for being powerhouse acting showcases. But even so… he’s just crap. It’s bad enough that I sometimes have to see those Supernatural pricks on the TV thinking they’re all that; I don’t want to have to put up with them in the cinema too. Yes, My Bloody Valentine 3D, I’m looking spitefully in your direction.   He’s not that bad. Ben’s bias against the Supernatural cast has clearly tainted his vision. The cast from this Friday is ten times what most of their cast have been, particularly part 5. If ever I’ve been ok with making a movie into a vehicle for WB stars, its when they’re fodder for Jason. And the douchebag rich kid, with some hair dye, would make a good Superman, get on it, DC.


4. WHY ISN'T IT SET IN THE CAMP ITSELF?

If we’re going back to square one, that’s the classic set-up – new bunch of camp counsellors arrive to get the place in shape. The camp itself is as much a character in the early films (and the series peak, Jason Lives) as Mr Vorhees himself. But I realise this is probably nitpicking as Parts 3 & 4 weren’t set at the camp, but instead followed the house party set-up adhered to here. But what can I say; when I think Friday the 13th, I think camp. In both key senses.


  This is a fair argument, and the camp was missed, if only because that was the classic set up. I’ll defend the idea, though, that the camp isn’t needed, particularly given the point in the story that this Friday takes place in. Here, Jason’s mother has already gone on her killing spree, and Jason has been on the loose for at least a decade, growing, learning, and probably killing. In fact, as this film contains each Mrs. Vorhees, bag-head Jason, and hockey-mask Jason, its only fair to assume that this reboot is meant to encompass each films 1-3. Given the presumed body count Jason has managed to rack up during this film, from the empty husks of cabins, to the overturned school buses, to the general fear of the surrounding populace, it follows logic that no one would use that camp again.

Of course, Friday has never really followed logic, in the original series, the camp stayed open, despite fifteen years of continual slaughter, again 160 murders, on the campgrounds. Its entirely realistic that the camp would have stayed closed after Mrs. Vorhees’ murder spree, and certainly after Jason’s first run through the camp. An open camp would have been a nice touch, but I can live.



5. RACIAL STEREOTYPE COMIC RELIEF.

Sure, it’s nigh on impossible now to throw in token Black and Asian characters without making everyone scream ‘Benetton commercial;’ but holy shit, they’re not even trying here. And it’s a shame, because at times Aaron Yoo and Arlen Escarpeta are genuinely quite funny and endearing. But there’s no escaping the fact that they are shoved to the peripheries, given nothing to do but make little jokes about their ethnicity, and not at any point given a hope in hell of getting some of that succulent apple pie pussy that the white boys are sinking their teeth into. Sure, the minorities can come to the white boy’s party, but God forbid they touch any white girls. How’s that for Obama’s America.   I was going to make a case about how this Friday relaunch isn’t looking to re-make the franchise, but remind us of what we loved in the old ones by using its techniques again, and how the racial jokes and side characters are meant to be a throwback to the token characters from the original series…

But Ben, I’m giving you this argument for your use of the line “succulent apple pie pussy”. I can’t beat that.



6. THERE'S NO BUSH ON SHOW.

Okay, there are some truly great tit shots, but if My Bloody Valentine 3D can proudly display the full monty then why can’t Friday the 13th? Okay, so, perhaps I’m nitpicking again. (Ooh, note to self - never mention bush and nitpicking in the same context. Shudder.)   Have we ever gotten bush in a Friday movie? Friday is a tit movie! All tits all the time! And it delivered, my friend!

Seriously, Ben, is this a valid complaint for this article? I mean, this complaint could be used for any movie.

“I went and saw Slumdog Millionaire this week, and I can’t understand why it got the Oscar. There was no bush!”



7. JASON AIN'T RAMBO – HE'S THE BOGEY MAN.

They never come out and admit it until Jason Lives, but Jason is and always has been supernatural. Attempting to ground him in reality, making him this crack survivalist woodsman, and trying to make plausible his ghostly ability to appear and reappear by giving him access to everywhere via hidden tunnels, having him set traps and whatnot – it’s all missing the point. And it leads to the next point:   Again, this is pre-zombie Jason. I’ve always thought that there were really two Jason characters, and the first was some sort of crazy survival guy. He’s this giant mongoloid guy who can take a billion blows to the head and never go down. But he ain’t no friggin’ ghost until he gets struck by lightening in Jason Lives.

Think what you like, Ben, but Jason is just a man, a MAN’s MAN, until the day that lightening struck his corpse. And I know this because no zombie could ever use a composite bow. You know who can? Rambo.

They never have said who Jason’s father was…



8. THE ENDING IS STUPID.

It fails miserably to evoke the power of the original’s classic shock climax. It also highlights the same problem Rob Zombie must be facing with his next Halloween – if you go to pains to make everything plausible in a real world logic context, it just seems utterly absurd when the inexplicable finally rears its head.   I’m kind of with Ben here, but for different reasons. I don’t think Jason is too grounded in reality for the ending that they have. It’s pretty well established that he can take an incredible amount of damage, and so his return, after a pretty vague death sequence, is well founded. My problem is that the kids are more retarded than our favourite masked special-needs killer if they take it upon themselves to dispose of this body, hours later, without calling the cops, or plugging Jason one in the head and two in the chest.

It’s a fair homage idea that could have been set up much better.



9. JARED PALADECKI DOESN'T DIE.

Okay, this at least in part an extension of my third complaint, but it’s also a glaring error on the part of the filmmakers. Since when does Jason do battle with someone off camera, only for them to pop up pretty much unscathed a scene or two later as if nothing happened and no explanation as to how he survived? Crap!   Damn it, Ben! Lay off the guy already! I’m beginning to think this is the unwarranted vitriol of a spurned lover! What did Padelecki ever do to you?


10. ONLY THREE OUT OF THE FIVE MAIN GIRLS GET NAKED.

Come on, if you’re going to put that much skin on show you may as well go the whole hog. Why not even slip in a bit of Mrs Vorhees milf action while you’re at it? After all, Nana Visitor had her moments of foxiness on Deep Space Nine…which, funnily enough, brings us to…
  I’ll defend the two girls who don’t get naked, as they were both ‘survivor girls’ and it would have been inappropriate for either of them to get nude, drink, smoke, or do anything along those lines. Friday has always been an unwitting morality tale, and only the good girls survive. This worked in the film’s favour, in that two survivor girls were struggling along at the end of the film. You know one of them had to die, but it was a complete mystery as to which of these two would feel the cold sting of that machete. It was just a twinge of welcome suspense at the end of an otherwise fairly paint-by-numbers horror flick.

But I’d have thrown down an extra ten bucks for an up-skirt of Mrs. Vorhees when she hit the dirt.



11. THE INTRO WITH MRS. VORHEES IS BULLCRAP.

For those new to the franchise it makes no sense; for the more familiar, it only serves to highlight how utterly illogical the premise is to begin with. Let’s get this straight – she thinks Jason drowned but they never found his body and he hasn’t actually drowned and yet even though he’s alive and well and wandering the woods he hasn’t seen fit to let his mother know even though she’s right there? Hmm… any plausibility problems with that? No, not if we accept that this is a campfire ghost story and Jason is a phantom haunting the woods rather than an actual human being in an actual physical universe, but Platinum Dunes obviously didn’t get that memo. Also - following a prologue sequence with a second prologue sequence, and only bringing up the title twenty minutes in? Nispel, we’ve already established that you’re not Fincher; you’re not Michel fucking Gondry either.   Yeah, ok, I’m with you on this one. That prologue sucked. Mrs. Vorhees could have stayed on the cutting room floor, and I’d have been fine. The idea of Jason really being alive somewhere isn’t terribly far-fetched, as he is all retarded and might not be able to find his way home until after his mom’s demise… but him standing RIGHT FUCKIN THERE the whole time was ridiculous beyond belief.

Prologue 1 could have simply been some councillors smoking and having sex as Jason drowned. Prologue 2 was actually my favourite part of the movie, both for its throwbacks to the original series format, and to its speed and relative brutality. But, I’d have put the title prior to prologue 2. Having Friday the 13th come up in giant red letters 1/3 of the way through the movie kind of breaks the pace.



12. WHERE'S THE SKINNYDIPPING?

Okay, topless water-skiing is all well and good (and nice one for putting The Hives on the soundtrack for that scene), but come on, that’s another classic element that was missing. Even Freddy Vs Jason found time for it.   Topless water skiing is skinny-dipping plus. And didn’t part 4 have topless rafting instead of skinny-dipping? Regardless of the type of topless water sports, the use of the lake is the main thematic element of each of those movie moments, and it was still used to great effect.


13. AT NO POINT DO WE SEE AN OLD DRUNK GUY YELLING,
“IT'S GOT A DEATH CURSE!”


Or words to that effect. Again – a classic element that it’s not quite Friday the 13th without. I suppose the defence would be that it would seem like a corny cliché. But I say again – this is Friday the 13th. Corny cliché is the name of the game. If you’re shying away from that, then – yet again – you’re missing the point.   Ungrounded complaint, Ben. Old man is replaced by creepy old trailer woman muttering almost the same words.


FINAL THOUGHTS

You might assume from all this that I think F13-’09 is the worst film in the series to date. This, I begrudgingly admit, is not the case. It’s certainly nowhere near as awful as the reigning series nadir Jason Takes Manhattan, and honestly it’s probably better than A New Beginning, The New Blood and Jason Goes To Hell. I may give Nispel a hard time, but he’s clearly a better visual stylist than many of the directors that went before him, and there are a good few moments of sly homage to the earlier films that will bring a smile to many a fanboy face. Also certain to raise a smile is the unexpectedly abundant nudity, a key element in the franchise’s appeal. But F13-’09 is still a major creative failure, in that sets to achieve something specific – to recapture the fun slasher vibe of the best Friday movies – and does not succeed at all. This was the chance for Platinum Dunes to prove themselves. After blowing The Texas Chainsaw Massacre, The Amityville Horror and The Hitcher, this should have been the easiest one to get right. All they had to do was make a movie that was fun – and they blew it. And, even though Nispel is not in the directing chair this time around, one can’t help but tremble at the thought of these people taking on A Nightmare On Elm Street next.


  Obviously, I wasn’t as upset by this re-make as Ben, but then, I don’t think I went in there with my expectations as high.

Is that terrible? I say the movie works because we go in not expecting much? Shouldn’t Hollywood be pushing the envelope?

Typically, I’d say yes. But, this is Friday the 13th. Is there even a point, almost 30 years later, in re-inventing the wheel? None of the films in that series have ever even tried to invoke ‘quality’ or ‘real’ scares. They are simply excuses to have boobs pop up on the screen, and have beautiful kids get hacked apart in terrible ways. If anything, the film’s greatest weakness isn’t the lack of quality, compared to previous instalments, this one’s got it in spades, but rather it’s the lack of balls on the part of the studio to really push that R rating to its limits.

The old Friday movies are more brutal, more gratuitous, with more drugs and more sex and more stab wounds all over the place. By this point, the make-up effects are a little dated, but the effect can still be dizzying in today’s watered down market-place. That’s always been part of Jason’s appeal and why his character, out of a thousand dumb slasher flicks, has survived the ages: Jason always tried to give you more. Here, despite the promise of a ‘hard R’, I can’t help but feel like I’ve gotten more grisly goods and laughs from a lot of straight to video releases. This will surely be corrected on the Uncut DVD release of the film, but giving horror fans a watered down Jason film isn’t the way to shock and pull butts into the seats for return viewings, as the huge 2nd week box office drop would suggest.

But again, I would say that this film could fit seamlessly (minus the first prologue) into the original series, and would have been hailed as a triumph. It didn’t revolutionize the genre, nor did I expect it to. It was just a return to form.

Of course, this brings up a good point, one which came to mind when Ben mentioned the forthcoming Nightmare on Elm Street relaunch. To me, this is the chance for Nightmare to become the really scary horror series it was always meant to be. The first Nightmare took itself totally seriously, and still stands as a pretty scary film, despite the visual dating, because its full of horrific ideas. But Freddy Krueger, over time, mutated from a completely frightening child molester/murderer with supernatural methods to this crazy wise-cracking anti-hero that spawned a market of dolls and boardgames. He stopped being scary and became funny. We didn’t cringe in fear of him, we went to see what clever ways he’d think of to kill those damn kids. I always lament that we never got to see what kind of nightmarish, psychedelic world a really creative horror team could have dreamed up.

So, what version of Freddy will we see in this new incarnation; the scary demonic Freddy, or the wise-crackin’ crazy-death Freddy? It really depends on the preference of the creative team. How do they remember Freddy, and at what point in his career did they like him best? Maybe someone prefers him from Nightmare parts 4,5, and 6. Freddy vs. Jason would certainly suggest that that’s how the populace remembers him.

Maybe it’s the same with Jason. Ben seems to want Jason to be a fun character, the zombie from Fridays 6 on, slashing apart cartoonish characters and basically being an excuse to splash red paint on the walls while campers in the next room expose their breasts. Don’t think that I’m degrading that point of view, I’m not. I love them boobs and the quirky, funny deaths as well. But I remember Jason most fondly from Fridays 2-4, where he was taken just a tiny bit more seriously, and while the deaths were still over the top, the victims were all still pretty grounded in reality. I might be mis-reading Ben’s opinion of the old films, but the word ‘fun’ came up many a time in that review.

I suppose it all comes down to what we expect from Jason personally, and for me, the slightly more serious, pre-zombie Jason is what I was in the mood for. The Jason who killed real teenagers in more real ways, the fun coming from this unreal, giant figure stepping into the middle of an otherwise pleasant summer day, and stabbing people through the head.

Maybe it’s not what everyone was expecting, but to me, this was Jason back in his original form, and God, was it refreshing just to get back to basics. Now that the whole ‘Mrs. Vorhees’ bit is done with, I’m hoping we get an even more gratuitous sequel.


ben dustin


So ends the battle of '13 Reasons Why Friday the 13th 2009 Does or Doesn't Suck Balls'. I think this article is best summed up not by the hatred or love either writer showed for the movie, but by the ambivolence they truly showed to it. And I think that sums up most genre lovers feelings towards the glut of remakes. As a whole, they're no better or no worse than any original horror movie. They're just kind of...there.
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